Leah Kardos & Ben Dawson – Three Preludes
A fascinating presentation, Three Preludes contrasts the natural with the artificial, juxtaposing a trio of hand played piano pieces with derivative electronic-based abstract interpretations, commenting on music’s changing states by showing it’s progression and origins. The final recordings of Leah Kardos’s three original compositions are informed by recordings of the process that preceded them, from the first sight read with all it’s mistakes to ambient noise from the rehearsals. By considering this the listener becomes acutely aware of not only the process that is behind a recording but also the human element of the pieces; one can imagine Ben Dawson sitting down at the piano to play, warming up his hands and adjusting his seat before putting his fingers to the keys and beginning to navigate the bars in front of him, his understanding of what he is performing growing with each note played.
The longest of the three piano pieces, Draw, plays on moments of intense sadness and passages of uplifting hopefulness echoing the idea of process that underpins the Ep. It begins somewhere in between the two extremes with a strong nostalgia that casts a rose tinted lens over ones memories, summoning happy moments from the past. Then rather suddenly the melody lifts, rising and cascading with all the flurry of activity and aspiration, no longer looking back but carving a path into what is to come. Before long it settles once again but now the joyful sense of retrospect has been lost and the listener is left in the cold, unforgiving preset. The music starts to drag and falter like aspirations that have been crushed.