Tomoki Ikeda a.k.a. Mokke is not only a dj but also a producer and a musical allrounder. But most of all he is Japanese – translate that with „very polite“ and „unboastful“. His new hometown Berlin, capitol of electronic music and not always an easy place to live in, left an impression, though. But it took Mokke more than ten years to understand the unofficial ethos of the city: „Modesty is an adornment, but you come further without it“. „Wingbeat“ ist the name of Mokkeʼs second album. A good opportunity to give up on modesty.
SVVN’s E.P,” Arnarstapi” is a carefully crafted selection of ambient tracks that are beautifully haunting and characterised by a melancholy undertone that stays with you long after the music has ended. Thematically, this E.P reflects the landscape of Iceland and the tracks are deliberately named after areas of the awe inspiring and beautiful country. Although this is perfect music to listen to as a background accompaniment, the listener will be rewarded for giving each track their full concentration as the attention to detail in terms of instrumentation and production is remarkable.
Setting the tone for the whole collection is the opening composition; “Ísafjörður Part One, I Come Through.” This track evolves and develops as it progresses, using a gentle, chiming refrain and a piano melody backed with a percussive pattern that provides an understated, undulating rhythm. There is also a contrapuntal string melody layered over the top of the other instruments, elevating the mood of the track with a subtle and well timed chord change. Moving in to the second section of this two part track, the soft, reflective ambience is continued with vocal echoes that drift around the drum pattern amongst reverberating guitar chords and a looping piano melody. The sense of melancholy and reflective solitude that is established in the first part of the track is also present here and like the rest of this E.P, this thoughtful and inspiring composition evokes images of the melodramatic Icelandic landscape.
Similarly,” Hveragerði, Fever in the Fold,” is named after an area situated in the South of Iceland, which is characterised by a mystical and dramatic landscape that is interpreted and reflected beautifully here. Working on the simple and hypnotic piano melodies that define this collection, this track has richly textured layers of instrumentation, including a clear and haunting saxophone melody and quiet, processed vocals before a slow but clear trip hop style beat drops in. Like all of the drum work on this, E.P, this is subtle and not in any way over powering, making this perfect music to listen to while working, meditating or just relaxing. There are echoes of the same thematic ambience that characterises this whole E.P here but the characteristic saxophone flourishes and processed vocals add an extra dimension to this particular song. As a complete piece of work, this collection flows well and is unified by a congruent thematic concept that is explored thoroughly throughout. Tracks like “Ólafsvík, You Bloom in Black and Blue” are quite complex but the attention to detail means the music never sounds too busy or urgent and still retains the overall serenity that this beautiful collection creates. With a serene chord and vocal combination that builds up underneath a sparse but uplifting piano melody, the middle of this E.P is augmented with gentle chimes and a soft but full sounding percussive rhythm. The main vocal refrain is repeated by the ethereal female singing voice before a shuffling, light snare pattern and an acoustic guitar melody complete the full, textured sound. SVVN has demonstrated his ability to carefully layer and arrange instrumental sounds to complement each other extremely well.
Slightly more uplifting and less reflective than the other pieces here, the penultimate composition is characterised by partially distorted, electronic sounds that sit underneath the processed vocals, creating a distinctive contrast that gives “Sandgerði, When the Dam Won’t Break” a tranquil but uplifting quality that is both soothing and enticing. An acoustic guitar pattern accompanies the piano melody beautifully and the track builds gently with an additional bass line and slow, hip hop style beat. These final two tracks have a definite sense of place in the collection as a whole meaning that this song works well on its own but also as a deliberate segue in to the final track, “Garðabær, Big Beautiful World.” Although this piece continues the theme that has been established and explored throughout the album, it has a singularly uplifting feel that makes it a perfect track to close the E.P.
By using an organic, live sounding electric bass line that has been recorded so that the augmentations such as the subtle scraping of the strings as the player moves up and down the fret board are still audible, SVVN has created an extra, natural dimension that is often lacking in ambient and modern classical music. Pizzicato plucked string effects are used to ornament to add a rich, textured aura of sound that surrounds the gentle vocals delicately enough for them to still be clearly audible.
Overall, this E.P is an uplifting, gentle experience that moves from the subtle, reflective melancholy of a frozen mountainside to the awe inspiring euphoria of an Icelandic sunrise. By exploring and experimenting with simple but effective piano loops and working with an extremely effective layering technique, in producing Anarstapi, SVVN has created something that will win him fans from many different genres of the musical landscape.