In his new album, London-based composer John. D. Reedy has used his multi-instrumentalist background to create a mosaic of human emotion. “The Great Long Distance,” is a musical account of the first twelve months of a long distance relationship. Each track on the album reflects each month’s experiences, and the album therefore has its most profound effect when heard sequentially from beginning to end. This album takes listeners through both the ups and downs of the human experience. Reedy’s ambient composition style engulfs us, creating a cocoon of sound that allows listeners to absorb every emotion the music exhumes. His
Nathan Shubert – Folds There comes a time in many musicians’ careers when they decide to step out of the shadows of working as a side-man and announce themselves, and for Nathan Shubert, that time came last March on Piano Day 2016. That was the day the Vancouver pianist released Saga Norén, Länskrim, Malmö, and it immediately caught the attention of Nils Frahm, who added it to his Piano Day playlist and made sure his fans were aware of this new talent on the scene. Shubert has been playing with various local acts for some time in the Vancouver area,
Elegant, diverse and distinct, the arctic vitality of Thomas Ragsdale’s ‘Bait’ – whose origins arose as the soundtrack to the Dominic Brunt film of the same name – tells a solemn and in places disquieting tale that stands well on its own, riddled with delicate nuance and a hyperborean conviction.
With tracks such as ‘Who Holds The Devil, Hold Him Well’ acting as a somewhat blissful introduction to the inevitably weighty and emotive chronicle that is to follow, immediately from the launch of this sonic anthology we are met with an intricacy and persuasion inclined towards that of rapturous energy. We are enticed deeper into the mellifluous warrens of Ragsdale’s dulcet environment as ‘Warning Mass’ seeks to lock our attentiveness with denser noisescapes and lacunar chords of pensive sureness, thus demonstrating the perfection of temper held throughout the album’s entirety.
James is a multi-instrumentalist and composer working out of Bristol, his compositions are Cinematic, expansive and bring film and media to life. He’s put together a selection of his soundtracks alongside other great score writers such as Porter Robinson and Thomas Bergersen.
American composer Blake Ewing has been quietly producing ambient and classical works for years, getting his incredible music supported by the likes of Ford, Netflix and AMC. His website states he ‘believes in music – and in its wonderful power to support and elevate storytelling.’ His latest offering ‘The Scenery Of Somewhere Else’, not only supports and elevates storytelling, but brings its own magical story to life.
The fading opening of ‘You took the first breath’ brings the listener to a lakeside, shimmering under the golden rays of sun that beam down in the evening sunset. From the opening of the track, we feel a juxtaposition of warm, sweeping pads, and the gentle piano notes that pierce the texture, bringing cooling shivers from the breeze, above the suns gentle warmth. Ewing uses each and every chord change to walk us around the lake, bringing us ever closer to the ‘somewhere else’ suggested in the title.
Lucy Claire is a London based composer originally from the North East of England compiles a selection music for The Composer Series. A mix of post classical composers, indie and music selected from her personal compositions.
Lucy trained at London’s Royal College of Music in composition and music for the moving image Lucy has collaborated with many filmmakers, choreographers and artists on projects as well as releasing solo work and performing live around London. Lucy is currently writing and recording her debut album for a release in Autumn 2015.
Designer and musician Mike Lemmon gave birth to his brainchild Neue about three years in the past. Earlier this year, he released an album named ‘Structure’ under the banner of this project. The 33 minute album features ambient soundscapes, drones, haunting beats and warm melodies in layers placed upon layers.
Structure commences with ‘Dawn’, which sets the mood for the album starting with the benign sounds of flowing water and chirping of birds. The track introduces a warm piano melody which prepares the listener for what is coming next in this introspective musical journey. As the intro track fades out, electronic percussion beats are introduced with ‘Into the Distance’. In a funky atmosphere set by this track, the listener knows that they’ve taken off on a soul-stirring journey and as the groovy bass discharges, it serves as fuel for imagination and visualization. With the second track ending into a distance, the journey suddenly takes a haunted route with high tempo beats, a cutthroat bass and high pitched notes with expansive reverberation.