“And then, the mountains moved” – an EP that captivates and uplifts with a refreshingly harmonious bellow; one that threatens to tear the world away and leave you lost in contemplation. With an ethereal tranquility that appears to pulsate in time with the landscape it claims to represent, natural, classical and contemporary inspiration becomes apparent, with juxtaposing genres complimenting each other magnificently. James Joshua Otto achieves high levels of quality through his expression of skill; a great sense of depth and drama become immediately apparent and set the precedent from the opening of the first track “One step enough” – a gentle introduction which foreshadows the excellence yet to be discovered.
American composer Blake Ewing has been quietly producing ambient and classical works for years, getting his incredible music supported by the likes of Ford, Netflix and AMC. His website states he ‘believes in music – and in its wonderful power to support and elevate storytelling.’ His latest offering ‘The Scenery Of Somewhere Else’, not only supports and elevates storytelling, but brings its own magical story to life.
The fading opening of ‘You took the first breath’ brings the listener to a lakeside, shimmering under the golden rays of sun that beam down in the evening sunset. From the opening of the track, we feel a juxtaposition of warm, sweeping pads, and the gentle piano notes that pierce the texture, bringing cooling shivers from the breeze, above the suns gentle warmth. Ewing uses each and every chord change to walk us around the lake, bringing us ever closer to the ‘somewhere else’ suggested in the title.
Post-classical composer Steve Gibbs’s debut solo EP, Adrift, is an ethereal piece of work which gorgeously brings together piano and strings with ambient electronic textures. Released in 2014, this solemn five-track EP sounds positively cinematic. It is not difficult to understand why Gibbs’ work has been used in movies and ad campaigns. The general lack of prominent melody throughout the album makes it perfect as soundtrack music as well as, of course, being ideal listening material when in a reflective and open mood.
The opening track ‘Adrift’ begins with an ambient soundscape that is astral and recalls Brian Eno’s Apollo in its expansiveness. The sounds of reversed guitars steadily filter into the mix. Soon there enters the muffled sound of piano chords which light up this tapestry of sound. We are certainly ‘adrift’ now: there is a sense of hanging in the ether to this track which sets the atmosphere for the rest of the EP. This sense of intedeterminacy is not a troubling one, but a feeling of liberation from constraints, a cool and calm lack of focus which is perfect for this sombre time of year. Softly dancing, arpeggio-like treble piano figurations come in out of this abstraction and are given warmth and depth by the prominent, swelling baseline.