Post-classical composer Steve Gibbs’s debut solo EP, Adrift, is an ethereal piece of work which gorgeously brings together piano and strings with ambient electronic textures. Released in 2014, this solemn five-track EP sounds positively cinematic. It is not difficult to understand why Gibbs’ work has been used in movies and ad campaigns. The general lack of prominent melody throughout the album makes it perfect as soundtrack music as well as, of course, being ideal listening material when in a reflective and open mood.
The opening track ‘Adrift’ begins with an ambient soundscape that is astral and recalls Brian Eno’s Apollo in its expansiveness. The sounds of reversed guitars steadily filter into the mix. Soon there enters the muffled sound of piano chords which light up this tapestry of sound. We are certainly ‘adrift’ now: there is a sense of hanging in the ether to this track which sets the atmosphere for the rest of the EP. This sense of intedeterminacy is not a troubling one, but a feeling of liberation from constraints, a cool and calm lack of focus which is perfect for this sombre time of year. Softly dancing, arpeggio-like treble piano figurations come in out of this abstraction and are given warmth and depth by the prominent, swelling baseline.