Thomas Ragsdale – Bait

Elegant, diverse and distinct, the arctic vitality of Thomas Ragsdale’s ‘Bait’ – whose origins arose as the soundtrack to the Dominic Brunt film of the same name – tells a solemn and in places disquieting tale that stands well on its own, riddled with delicate nuance and a hyperborean conviction.

With tracks such as ‘Who Holds The Devil, Hold Him Well’ acting as a somewhat blissful introduction to the inevitably weighty and emotive chronicle that is to follow, immediately from the launch of this sonic anthology we are met with an intricacy and persuasion inclined towards that of rapturous energy. We are enticed deeper into the mellifluous warrens of Ragsdale’s dulcet environment as ‘Warning Mass’ seeks to lock our attentiveness with denser noisescapes and lacunar chords of pensive sureness, thus demonstrating the perfection of temper held throughout the album’s entirety.